“. Enea Vico (1523-1567), “The Loves of Mars and Venus”. Signed with the initials in the plate. Engraving on laid paper, with a star in a circle watermark, S. 29.3×20.3 cm. Bartsch 21, from the first state, of two. Circa 1550. PROVENANCE The Albertina, Vienna, with the duplicate ink stamp verso (Lugt 5g); The collection of Engineer and Major Frank Bensow (1883-1969), with the ink stamp verso (Lugt 982c). A fine, vivid impression.
Enea Vico (1523-1567) engraving, Two Trophies With a Cuirass Lower Left, 1550, Bartsch 449, with the name of the publisher Ant[onio] Lafreri at bottom, first state (of 2) before numbers. Good condition, with small margins all around, archival matting, 9 5/8 x 7 inches. A fine, fresh impression. Provenance: Furstich Waldburg Wolfegg’sches Kupferstichkabinett (Lugt 2542). The fine impressions of Vico’s Trophy series, such as this example, are of astonishing clarity and brilliance. This sort of showmanship was until recently discounted as lacking in original draughtsmanship or inventiveness, but recent work (as exemplified in the British Museum exhibit The Print in Italy, 1550-1620), […]
Enea Vico (1523-1567 engraving, Two Trophies With a Breast Plate and a Ram’s Head, 1550, Bartsch 447, with the name of the publisher Ant[onio] Lafreri at bottom, before numbers. Good condition, with small margins all around (slight discoloration upper right and left due to hinging), archival matting, 9 1/2 x 7 inches. A fine, fresh impression. Provenance: Furstich Waldburg Wolfegg’sches Kupferstichkabinett (Lugt 2542). The fine impressions of Vico’s Trophy series, such as this example, are of astonishing clarity and brilliance. This sort of showmanship was until recently discounted as lacking in original draughtsmanship or inventiveness, but recent work (as exemplified in the […]