Harris Schrank Fine Prints

John Sloan (1871-1954), Barbershop, 1915, etching and aquatint, signed in pencil lower right, inscribed in pencil “For John Quinn, Esq. – John Sloan” lower left margin, (also signed and dated in the plate lower right. Reference: Morse 173, third state (of three). Morse notes the edition was 100, but the printing was probably less. Printed in a brownish/black ink on wove paper, with margins, 10 x 12 inches, the sheet 13 x 15 inches. A very fine impression. The eminent lawyer and art collector John Quinn was introduced to Sloan by John Butler Yeats, father of the poet William Butler […]

John Sloan (1871-1951), Anshutz on Anatomy, etching, 1912, signed titled and inscribed “100 proofs” by the artist, and also signed “Ernest Roth imp” by the printer. Reference: Morse 155, eighth state (of 8), from the edition of 80. In very good condition, the full sheet, printed in dark brown ink on a brown/tan wove paper, 7 1/2 x 9, the sheet 11 1/8 x 12 3/4 inches. A fine impression. Sloan wrote of this print: “Tom Anshutz, our old teacher at the Pennsylvania Academy, gave anatomical demonstrations of great value to art students. Modelling the muscles in clay, he would […]

  Six American Etchings: The New Republic Portfolio 1924 The complete set of six etchings, as issued in 1924, including: Peggy Bacon (1895-1987), The Promenade Deck, 1920 (Flint 47), 6 x 8 3/8 inches Ernest Haskell (1876-1925), The Sentinels of North Creek, ca. 1923, 5 x 7 7/8 inches Edward Hopper (1882-1967), Night Shadows, 1921 (Levin 82) 7 x 8 3/8 inches John Marin (1870-1953), Downtown the El (Zigrosser 134), 6 7/8 x 8 3/4 inches Hayes Miller (1876-1952), Play, 1919, 4 7/8 x 5 7/8 inches John Sloan (1871-1951), Bandits Cave, 1920 (Morse 195), 7 x 5 inches A […]

John Sloan (American 1871 – 1954), Fashions of the Past, etching and aquatint, 1926, signed and titled by the artist in pencil (Morse 224 IV/IV), also signed by the printer. From the edition of 100 (of which75 were printed, according to Morse). Annotated: Peter Platt imp (Platt was an early, and one of Sloan’s favorite, printer). In very good condition, with wide margins, with the tack holes at outer margins for drying, as usual for impressions printed by Peter Platt; on wove paper, conservation matted. 7 7/8 x 9 3/4 inches, the sheet 12 1/2 x 14 1/2 inches. A fine […]

John Sloan (1871-1954), The Green Hour (or Angna Enters in “The Green Hour”), etching, 1930, signed in pencil lower right, inscribed “100 proofs” lower left [with the signature and date lower right, title lower left in the plate]. Reference: Morse 245, second state (of 2), of 90 printed. In very good condition, the full sheet with deckle edges, 5 x 4, the sheet 12 1/2 x 9 3/4 inches. Printed on a cream wove paper by Peter Platt, with his characteristic drying holes around the edges. A superb impression. Peter Platt was one of Sloan’s favorite printers. He printed 25 […]

John Sloan ((1871-1951), Westminster Abbey, c. 1891, the complete set of13 etchings, ribbon bound with ahand-painted gilt cover [many of the etchingssignedand variously annotated in the plate]. Reference: Morse 11-23, only state. Printed byPeters Brothersand published byA. Edward Newton (1864-1940).Theetching imagematrices are in excellent condition, thefull sheets with wide margins (slight soiling and foxing near margin edges, the first (blank) page with some losses; other pages with nicks, some water stains not near images). Etchings are c. 3 1/4 x 5,the sheets 8 x 10 1/4 inches. These etchings are finelyand delicately printed in dark brown or sepia ink on […]

John Sloan (1871-1954) etching, James B. Moore, Esq., signed in pencil lower right and inscribed “100 proofs” lower left (although only 25 were printed). [Also signed and dated lower left, and titled upper left, in the plate.] Reference: Morse 126. Third state of three. In very good condition, on a cream wove watermarked Van Gelder-Zonen Holland paper, archival matting.  Plate size 12 x 10, picture size 11 1/4 x 9 1/4, sheet 15 x 12 1/2, with the drying holes at left and right margin edges. This paper, the characteristic drying holes, as well as the high quality of the impression, indicate that […]

John Sloan (1871-1951), Romany Marye in Christopher Street, 1922, etching, signed in pencil lower right, titled, dated and inscribed 100 proofs bottom margin. Reference: Morse 278, seventh state (of 7), from the edition of 52 impressions, all printed by Charles White. In very good condition, with barely visible light toning, printed on a cream laid paper with margins (small loss upper left margin edge), 6 x 8 inches, the sheet 8 1/4 x 10 3/8 inches, archival mounting. A fine rich atmospheric impression, printed with a plate tone overall which heightens the sense that this is a night scene. Although Sloan […]

John Sloan (1871-1951), Subway Stairs, etching, 1926, signed, titled and inscribed “working proof 1;” also with the notation “JS imp” in pencil bottom margin [with the name and date in the plate].  Reference: Morse 221, third state (of 7). There was an edition in the seventh state, 60 printed. In very good condition, on ivory laid paper with margins (the slightest toning toward the margin edges). 6 7/8 x 5, the sheet 8 1/2 x 7 1/2 inches. Archival mounting, with acid free board, window mat. A fine early state proof impression of one of Sloan’s most alluring subjects. In this third state […]

John Sloan etching Schuylkill River, 1894, signed, titled, annotated “100 proofs” [only 25 were printed], also signed by the printer “Peter Platt imp’ in pencil lower left margin.  From the edition (of 25) all printed by Peter Platt.  Morse 60, only state. Provenance: ex. coll. VO and MP Potamkin Collection; Kraushaar Galleries. A fine impression, with plate tone.  On a tan wove paper with a partial crest and fleur de lys watermark, with margins, in good condition, a tiny nick right edge, slightest browning toward outer margin edges, 8 1/4 x 5  1/4 (the sheet 12 1/2 x 10) inches, archival […]

John Sloan (1871-1951), “Up the Line, Miss?”, etching, 1930, signed, titled and inscribed 100 proofs [also signed in the plate]. Reference: Morse 243, fifth state (of 5). In excellent condition, with full margins (slightly irregular lower edge, typical for the older paper favored by this printer, see note below). On an old laid paper with a circles in shield watermark. 5 1/2 x 7, the sheet 9 1/2 x 12 inches. Archival mounting. A fine impression. Only 80 impressions of the edition were printed. This impression is printed on an old laid paper, of the sort the printer and artist Ernst […]

John Sloan (1871-1951), Nude on Stairs, etching, 1930, signed in pencil lower right margin, titled in pencil center, inscribed “100 proofs” lower left [also signed in the plate lower left]. Reference: Morse 241, ninth (published) state (of 9). In very good condition, the full sheet with margins (slightest toning in margins), printed in black on a cream wove paper, 9 7/8 x 8, the sheet 14 1/2 x 11 1/2 inches, archival matting. A superb impression, printing very black and clear. Provenance: Collection unknown collector, stamp SN in a circle verso (not located in Lugt) At this point in his […]

John Sloan (1871-1951), Hell Hole, 1917, etching and aquatint, signed bottom right, titled bottom center, and inscribed “100 proofs”. Reference: Morse 186, second state (of 2). From the edition of 100, printing of 110. In good condition, slight toning; with wide margins (trimmed irregularly at right and left, soft folds in margins, with  the printer Peter Platt’s drying holes and associated paper losses, reinforced tears and nicks at margin edges). On a cream wove paper, 8 x 10, the sheet 11 1/2 x 14 3/4 inches, window matted. A fine impression of this Sloan masterpiece. This impression was printed by Peter Platt, one of […]