Artist: Adriaen van Ostade
ADRIAEN VAN OSTADE (1610-1685) The Anglers etching, circa 1647-53, on laid paper, without watermark, a very fine impression of the rare third/ fourth state (of seven), printing with a light plate tone, with traces of burr on the bridge and elsewhere and fine wiping marks, with narrow margins, in very good condition. References: Bartsch, Hollstein, Godefroy 26, plate 113 x 166 mm., sheet 116 x 169 mm. Provenance: Richard Fisher (1809-1890), Hill Top, Midhurst, England (Lugt 931 & 2204); his sale, Sothebys, London, 23 May 1892, lot 583 ( 2,12; to Gutekunst). With H.G. Gutekunst, Stuttgart. Dr. Eduard Trautscholdt (1893-1976) […]
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Artist: Adriaen van Ostade
Adriaen Van Ostade (1610-1685), The Family, etching with drypoint, 1647, signed and dated in plate lower right. Louis Godefroy 46, fourth state (of 7), on a cream laid paper, in very good condition, 7 x 6 1/4 inches, 181x 160 mm. Provenance: Kennedy Galleries, New York, with their inventory number a49071 verso Unidentified collector with initials HW in pencil verso, not in Lugt (probably not Horace Walpole, whose initialing was a bit different) Jean-Louis Henri Le Secq (1818-1889) with his stamp verso, Lugt 1336 A very good impression, before the Picart edition (in the fifth state). Fourth state impressions are […]
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Artist: Adriaen van Ostade
Adriaen Van Ostade (1610-1685) etching The Anglers, circa 1647, Godefry 26, Bartsch 26. Very good condition, with small (1/2 inch) margins, on cream laid paper, archival mounting. 4 1/2 x 6 5/8 inches. A fine, rich impression of the sixth state of seven. This state appears identical to Godefry’s fifth state, but the borderline appears a bit stronger than that pictured in Godefry, so we’ve taken a conservative position and assigned it as sixth state. But the horizontal lines in the sky upper right are printing quite well as in the earlier states, and the inking is quite rich and […]
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