Tod Lindenmuth (1885-1956), Morning at the Weir, color woodcut, c. 1930, signed in pencil lower right and titled lower left. In good condition, paper showing through where printed lightly in cream; the full sheet, 14 3/8 x 11, the sheet 18 1/4 x 16 inches. A fine atmospheric impression. In the Archives of American Art Lindenmuth’s daughter recalls that she saw this print once, and estimated that it was made in the ’30′s. In all likelihood it was made earlier, when Lindenmuth was active as one of the Provincetown printmakers (a group which included Blanche Lazzell, Agnes Weinrich, and [...]
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Tod Lindenmuth (1885-1956), Low Tide, color woodcut, c. 1915, signed and titled in pencil lower margin. In very good condition, with wide margins (some flattened creases in margins, small area of thinning upper left margin edge, a few prior hinges attached to margin edges, only the slightest hint of light tone); on a Japan wove paper, 14 7/8 x 14, the sheet 21 x 17 3/4 inches, archival mounting with window mat. A fine impression of this rare Provincetown woodcut, made from three blocks in light, medium and dark blue. Although Lindemuth himself titled this Low Tide, there appears to be [...]
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Tod Lindemuth (1885-1956), The Runway (Provincetown), color woodcut, 1917, signed in pencil lower right, titled and numbered (67/100) lower left. On medium weight Japan paper, in very good condition, with margins (slight evidence of yellowing here and there, the slightest marginal light staining), the full sheet with deckle edges, 14 3/8 x 11 1/8, the sheet 18 x 15 1/2 inches, archival mounting with window mat. A fine, carefully printed impression of this important American early modernist woodcut. Although the print is annotated with a number, we believe this is probably not evidence of the size of the edition (and this misnumbering [...]
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