Artist: Kenneth Hayes Miller
Six American Etchings: The New Republic Portfolio 1924 The complete set of six etchings, as issued in 1924, including: Peggy Bacon (1895-1987), The Promenade Deck, 1920 (Flint 47), 6 x 8 3/8 inches Ernest Haskell (1876-1925), The Sentinels of North Creek, ca. 1923, 5 x 7 7/8 inches Edward Hopper (1882-1967), Night Shadows, 1921 (Levin 82) 7 x 8 3/8 inches John Marin (1870-1953), Downtown the El (Zigrosser 134), 6 7/8 x 8 3/4 inches Hayes Miller (1876-1952), Play, 1919, 4 7/8 x 5 7/8 inches John Sloan (1871-1951), Bandits Cave, 1920 (Morse 195), 7 x 5 inches A […]
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Artist: Kenneth Hayes Miller
Kenneth Hayes Miller (1876-1952), Nurse and Child (or Virgin and Child), etching, c.1928, signed in pencil lower right and numbered 25 lower left. Reference: Associated American Artists 25, from the edition of about 25, probably the second state (of 2). Printed on a strong wove paper, watermark FRANCE. In good condition apart from moderate light stain, with margins, 6 7/8 x 5, the sheet 10 1/2 x 7 7/8 inches. A very good impression, with the lines added to the pillow at the left, and cross hatching added to the woman’s dress at the right. Hayes Miller studied at […]
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Artist: Kenneth Hayes Miller
Kenneth Hayes Miller (1876-1952), Nurse and Child (or Virgin and Child), etching, c.1928, signed in pencil lower right, titled Virgin and Child, signed, priced ($25) and addressed by the artist verso (Hayes Miller, 6 E. 14th Street, New York). Reference: Associated American Artists 25. A proof impression of presumably the first state (of 2?), in generally good condition but somewhat soiled in the margins, remains of prior hinging verso, some grease stains in margin and matrix bottom right and verso, creases in matrix (all as befitting a proof impression). On a heavy wove paper, 6 7/8 x 5, the sheet […]
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Artist: Kenneth Hayes Miller
Kenneth Hayes Miller (1876-1952), Pause by a Window (or Waiting for the Bus), etching, 1930. Associated American Artists checklist 101. Two impressions, one of the first state, one of the second. The first is stamp/estate signed, the second pencil signed by the artist and numbered 27. In very good condition, both with wide margins, the state 1 proof with drying holes all around, on a white/cream wove paper,9 x 4 7/8, the sheet 13 x 7; state 2 on a cream/ivory wove paper, 9 x 4 7/8, the sheet 13 3/8 x 9 inches. Fine impressions of each state, the […]
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