Harris Schrank Fine Prints

  Six American Etchings: The New Republic Portfolio 1924 The complete set of six etchings, as issued in 1924, including: Peggy Bacon (1895–1987), The Promenade Deck, 1920 (Flint 47), 6 x 8 3/8 inches Ernest Haskell (1876–1925), The Sentinels of North Creek, ca. 1923, 5 x 7 7/8 inches Edward Hopper (1882–1967), Night Shadows, 1921 (Levin 82) 7 x 8 3/8 inches John Marin (1870–1953), Downtown the El (Zigrosser 134), 6 7/8 x 8 3/4 inches Hayes Miller (1876–1952), Play, 1919, 4 7/8 x 5 7/8 inches John Sloan (1871–1951), Bandit’s Cave, 1920 (Morse 195), 7 x 5 inches A […]

Peggy Bacon drypoint The Bridge Party, signed, dated (Nov. 1918) and titled (Bridge) in pencil by the artist. Flint 3. In generally ok but rough condition as befits an early working proof  pulled by Bacon herself, with diagonal folds upper and lower right, with margins (1/2 inch top and sides, 1 inch bottom, pencil mark right margin.  4 1/8 x 5 inches, archival mounting. A very fine impression of this rarity (we’ve seen only one other impression in 30 years). In this early impression, the burr from the drypoint work creates a brilliant satiny black. Bacon (1895-1987) was influenced by the […]

Peggy Bacon (1895-1987), Heywood Broun, lithograph, 1930, signed lower right and titled lower left margin. Reference: Flint 92. In excellent condition (no trace of ever having been matted or framed), the full sheet with deckle edges, on a heavy cream wove paper watermarked BKF RIVES FRANCE. 11 x 15 3/8, the sheet 14 7/8 x 19 inches, archival mounting (unattached mylar hinging between acid free board, glassine cover). A fine fresh impression, in pristine condition. By the late 1930 Peggy Bacon, now in her mid-thirties, was one of America’s most loved and honored printmakers. She had many solo shows, and […]