HARRIS SCHRANK FINE PRINTS

Jonas Suyderhoef (1610-1690), La Rixe (The Brawl), after Adriaen Van Ostade (1610-1685), engraving, c. 1660. [with the lettering A. Ostaden pinxit at the bottom left; J. Suyderhoef sculpsit bottom center; and Clemendt de Jonghe excudit bottom right]. Reference: Wussin 127, third state (of 5). In adequate condition but laid down on card, upper right tip repaired, a spot of paint upper left, moderate age toning, trimmed outside of plate mark,  17 3/8 x 14 5/8 inches. A good impression of this large engraving, in the state before the de Jonghe address was taken off and the address of F. de [...]

Jonas Suyderhoef 1613-1686),  The Three Women (les Parques Hollandaises), c. 1650, engraving and etching, after Adriaen van Ostade (1610-1685). Reference: Wussin 120, fourth state (of 6), with the inscription “Nicolaus Visscher excu”lower right, and with the letters on the wall in the background “A. Van Ostaden pinxit; J. Suyderhoef sculpsit”. In excellent condition, on old laid paper with a margin, 11 3/4 x 8 5/8, the sheet 12 1/8 x 9 3/8 inches. A very good, strong impression. Wussin notes that in this state the horizontal lines have been added to the areas outside of the oval, but the address [...]

Adriaen Van Ostade (1610-1665), The Peasant Settling His Debt, etching, c 1646. Godefroy 42, Hollstein 42, Godefroy’s eighth state (of 12). In very good condition, with small/thread margins all around. 4 5/32 x 3 15/32; the sheet 4 1/4 x 3 17/32 inches. Provenance: Rev. J Burleigh James, Knowbury Park, England (Lugt 1425), sale: London, April 23-30, 1877 [Sotheby's]; Paul Davidsohn, Grunewald-Berlin (Lugt 654), sale: Leipzig, November 22-26, 1920 [C.G. Boerner]; Paul M. Robinow, Hamburg (Lugt 2237b), sale: Bern, November 7, 1946 [Gutekunst and Klipstein]; Dr. William Pelletier (not yet in Lugt), bought at Craddock & Barnard, London. November 6, [...]

Adriaen Van Ostade, The Singers, circa 1668, etching. References: Godefry, Hollstein 19. The fifth state (of seven). In very good condition. [with the inscription on the plate [A. v. oftade fecit et excud.]. With margins, 9 7/16 x 7 17/32, the sheet 9 17/32 x 7 19/32  inches. On old laid paper. Provenance: Craddock and Barnard, London, acquired on December 8, 1967 by Dr. S. W. Pelletier (with his stamp verso, not yet in Lugt).  Dr. Pelletier was known for his fine collection of Van Ostade etchings (as well as superb examples of etchings by Rembrandt, Van Dyke, Meryon, and [...]

Adriaen Van Ostade, The Singers, circa 1668, etching. References: Godefry, Hollstein 19. The fourth state (of seven). In very good condition. With the inscription on the plate [A. v. oftade fecit et excud.]. With margins, 9 7/16 x 7 15/32, the sheet 9 3/4 x 7 3/4 inches. On old laid paper with the Fleur de Lys in Crowned Shield watermark, a variant of the several comparable watermarks cited by Godefry as characteristic of the early impressions. Provenance: J. Danser Nyman, sale Amsterdam, March 19, 1798, to Hendriks [Knoedler Gallery, New York (Lugt 2007)]; Martin Carlsson, Stockholm; George Bjorklund, Stockholm, acquired [...]

Adriaen Van Ostade (1610-1685), Bust of a Peasant (or, A Female Peasant Laughing), etching, 1647 (see discussion below). Reference: Godefroy 2, third state (of 5). In very good condition, with small margins outside of the platemark, 1 1/4 x 1 1/4 inches. A fine strong impression, before the artist’s initials were added and the borderline was strengthened with a burin. Godefroy indicates that impressions from this state were included in the later Picart edition, but there is evidence that impressions of this state were also taken before the Picart edition; this impression appears sufficiently fine to suggest that it is [...]

Adriaen Von Ostade (1610-1685) etching, circa 1647(Godefry 41, Bartsch 41), 6th state (of 8). [signed in the plate] In very good condition, with (small) margins all around, archival matting. 118 x 116 mm (4 5/8 x 4 1/2 inches) A fine, bright and clear impression, with traces of inky plate edges and wiping scratches still printing outside of the image. The Pig Killers is the first of Ostade’s complex compositions, made when he was in his late 30′s. It portrays the entire farm family in this celebratory ritual: the head of the family oversees the operation (at the left), the farmhand kneels on [...]

Adriaen Van Ostade (1610-1685), Bust of a Laughing Peasant, c. 1647. References: Bartsch 1, Godefry 1. Second state (of 4), before the monogram inscription to the right of the man’s chin and the borderline were added. In very good condition (remains of prior hinging verso), trimmed with a filet of paper outside of the platemark, 1 5/16 x 1 5/32 inches, archival window mat. A fine strong impression. Godefry indicates that impressions from this state were included in the later Picart edition, but there is evidence that impressions of this state were also taken before the Picart edition; this impression (highly [...]

Adriaen Van Ostade (1610-1685) etching The Anglers, circa 1647, Godefry 26, Bartsch 26. Very good condition, with small (1/2 inch) margins, on cream laid paper, archival mounting. 4 1/2 x 6 5/8 inches. A fine, rich impression of the sixth state of seven. This state appears identical to Godefry’s fifth state, but the borderline appears a bit stronger than that pictured in Godefry, so we’ve taken a conservative position and assigned it as sixth state. But the horizontal lines in the sky upper right are printing quite well as in the earlier states, and the inking is quite rich and [...]

Adriaen Van Ostade (1610-1685), Village Romance, etching and drypoint, circa 1667. Godefry 11, Hollstein 11. Godefry’s 9th state (of 12). In good condition, remains of prior hinging verso, with margins, 6 1/2 x 5, the sheet 7 1/8 x 5 3/4 inches. On old laid paper with a Foolscap with 7 points watermark. This is Godefry’s watermark 21-22, characteristic of lifetime impressions c. 1680. Provenance: Arthur FriederickTheodor Bohnenberger, Stuttgart (stamp verso, Lugt 68, Suppl.); Heinrich Buttstaedt, Gotha and Berlin (ink signature verso, Lugt 320); Martin Carlson, Stockholm; George Bjorklund, Stockholm; Dr. S. William Pelletier (acquired from Bjorklund August 18, 1966, [...]

Adriaen Van Ostade (1610-1685), The Breakfast (Le Gourmet en Compagnie), etching, c. 1647-52. References: Godefry, Hollstein 50. Seventh state (of 12). On cream laid paper, in very good condition, with margins (tiny loss upper left outside of platemark, collector’s stamp verso showing through slightly bottom left below image), no watermark discernible, 8 1/2 x 10 1/4, the sheet 8 15/16 x 11. Archival mounting. A fine early delicately printed impression. Godefry observes that impressions of this early (lifetime) state are “tres rare.” Provenance: ex Collection Dr. S. William Pelletier (with his stamp verso, and dated by him as acquired 11/15/99). ex [...]