HARRIS SCHRANK FINE PRINTS

Max Liebermann (1847-1935), In the Kitchen (In Der Kuche), soft ground etching and drypoint, 1890, signed in pencil lower right. Reference: Schiefler 6, second state (of 2). In very good condition, printed on a cream laid paper with full margins, 4 3/8 x 3 1/8, the sheet 11  7/8 x 9 3/8 inches.
A fine impression of this rather rare and early etching, printed in a black/brownish ink.
This small composition is reminiscent of both Millet and Liebermann’s Impressionist contemporary Pissarro; of course Liebermann was known at the time as a German “impressionist.”  In the print a farm woman works on some [...]

Max Liebermann (1847-1935), Kellergarten in Rosenheim (Cellar Garden in Rosenheim), etching, 1895, signed in pencil lower right, also numbered 49 in blue crayon, and with the PAN blindstamp; as published in PAN. Reference: Schiefler 35, fourth state (of 4). In very good condition, on a firm cream/tan wove paper with full margins, 7 x 9, the sheet 14 3/8 x 11 inches, archival matting.
Provenance: Collection of Norman Kraeft
A fine impression, printed in black on a cream/tan paper, with plate tone at the top and bottom of the composition, wiped more cleanly at the center.
A [...]