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	<title>HARRIS SCHRANK FINE PRINTS &#187; Clement Haupers</title>
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	<link>http://harrisschrank.com</link>
	<description>We specialize in exceptional examples of fine printmaking – original etchings,  engravings, lithographs and woodcuts – from 1490 to 1940</description>
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		<title>Metro 2nd Class</title>
		<link>http://harrisschrank.com/metro-2nd-class.htm</link>
		<comments>http://harrisschrank.com/metro-2nd-class.htm#comments</comments>
		<pubDate>Mon, 06 Jul 2009 22:46:54 +0000</pubDate>
		<dc:creator>Harris Schrank</dc:creator>
				<category><![CDATA[Clement Haupers]]></category>

		<guid isPermaLink="false">http://harrisschrank.com/?p=1916</guid>
		<description><![CDATA[<a href=http://harrisschrank.com/metro-2nd-class.htm><img src=http://harrisschrank.com/wp-content/uploads/2009/07/haupersmetrosecondclass-700x544.jpg class=imgtfe hspace=5 align=left width=140 alt='haupersmetrosecondclass' title='haupersmetrosecondclass' border=0></a>Clement Haupers (1900-1982), Metro 2nd Class, aquatint and etching, 1928, signed, titled, numbered (6/20), dated and inscribed &#8220;Paris.&#8221; In very good condition, slight toning and remains of prior hinging, on Van Gelder Zonen cream wove paper with margins, the full sheet, 4 x 5 3/4, the sheet 9 7/8 x 12 1/2 inches, archival mounting. A fine fresh impression, with the various aquatint tonalities contrasting vividly. A fascinating study of rush hour in a Paris Metro 2nd Class car. Haupers studied in Paris with the Cubist painter André Llote, who influenced his style and perspective. Upon completing his studies in France, [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><img class="size-large wp-image-1917 aligncenter" title="haupersmetrosecondclass" src="http://harrisschrank.com/wp-content/uploads/2009/07/haupersmetrosecondclass-700x544.jpg" alt="haupersmetrosecondclass" width="700" height="544" /></p>
<p style="text-align: left;">
<p style="text-align: left;">Clement Haupers (1900-1982), Metro 2nd Class, aquatint and etching, 1928,  signed, titled, numbered (6/20), dated and inscribed &#8220;Paris.&#8221; In very good  condition, slight toning and remains of prior hinging, on Van Gelder Zonen cream  wove paper with margins, the full sheet, 4 x 5 3/4, the sheet 9 7/8 x 12 1/2  inches, archival mounting.</p>
<p style="text-align: left;">A fine fresh impression, with the various aquatint tonalities contrasting  vividly.</p>
<p style="text-align: left;">A fascinating study of rush hour in a Paris Metro 2nd Class car.</p>
<p style="text-align: left;">Haupers studied in Paris with the Cubist painter André Llote, who influenced  his style and perspective. Upon completing his studies in France, Haupers  returned to Minnesota where he became an influential teacher at the St. Paul  School of Art. He rose to prominence in 1935 as the state and regional director  of the New Deal’s Federal Art Project in Minnesota, which hired unemployed  artists to decorate public buildings and parks.</p>
<p style="text-align: left;">In 1981 Clement Bernard Haupers was the first recipient of the &#8221;Minnesotan of  the Year&#8221; award.  He was born and died in the same house in St. Paul.</p>
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		<title>Induction</title>
		<link>http://harrisschrank.com/induction.htm</link>
		<comments>http://harrisschrank.com/induction.htm#comments</comments>
		<pubDate>Wed, 24 Jun 2009 14:42:56 +0000</pubDate>
		<dc:creator>Harris Schrank</dc:creator>
				<category><![CDATA[Clement Haupers]]></category>

		<guid isPermaLink="false">http://harrisschrank.com/?p=734</guid>
		<description><![CDATA[<a href=http://harrisschrank.com/induction.htm><img src=http://harrisschrank.com/wp-content/uploads/2009/06/haupersinduction-500x797.jpg class=imgtfe hspace=5 align=left width=140 alt='haupersinduction' title='haupersinduction' border=0></a>Clement Haupers (1900-1982), Induction, aquatint and etching, 1945, signed, titled, dated and inscribed &#8220;ed 75&#8243;. In excellent condition, printed in black on a heavy ivory wove paper with full margins and deckle edges all around, presumably printed in an edition of 75,  10 5/8 x 6 3/4, the sheet 14 3/4 x 11 inches, archival matting. A fine fresh impression, with the various aquatint tonalities contrasting vividly. This World War II scene portrays a doctor giving an inductee a physical exam, presumably checking on reflexes, as two other nude inductees are seen in the rear. Haupers studied in Paris with the Cubist painter [...]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-medium wp-image-735" title="haupersinduction" src="http://harrisschrank.com/wp-content/uploads/2009/06/haupersinduction-500x797.jpg" alt="haupersinduction" width="500" height="797" /></p>
<p style="text-align: left;">Clement Haupers (1900-1982), Induction, aquatint and etching, 1945, signed,  titled, dated and inscribed &#8220;ed 75&#8243;. In excellent condition, printed in black on  a heavy ivory wove paper with full margins and deckle edges all around,  presumably printed in an edition of 75,  10 5/8 x 6 3/4, the sheet 14 3/4 x 11  inches, archival matting.</p>
<p style="text-align: left;">A fine fresh impression, with the various aquatint tonalities contrasting  vividly.</p>
<p style="text-align: left;">This World War II scene portrays a doctor giving an inductee a physical exam,  presumably checking on reflexes, as two other nude inductees are seen in the  rear.</p>
<p style="text-align: left;">Haupers studied in Paris with the Cubist painter André Llote, who influenced  his style and perspective. Upon completing his studies in France, Haupers  returned to Minnesota where he became an influential teacher at the St. Paul  School of Art. He rose to prominence in 1935 as the state and regional director  of the New Deal’s Federal Art Project in Minnesota, which hired unemployed  artists to decorate public buildings and parks. In 1981 Clement Bernard Haupers  was the first recipient of the &#8220;Minnesotan of the Year&#8221; award. He was born and  died in the same house in St. Paul.</p>
<p style="text-align: left;">
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		<title>Shore Leave</title>
		<link>http://harrisschrank.com/shore-leave.htm</link>
		<comments>http://harrisschrank.com/shore-leave.htm#comments</comments>
		<pubDate>Wed, 24 Jun 2009 14:40:45 +0000</pubDate>
		<dc:creator>Harris Schrank</dc:creator>
				<category><![CDATA[Clement Haupers]]></category>

		<guid isPermaLink="false">http://harrisschrank.com/?p=730</guid>
		<description><![CDATA[<a href=http://harrisschrank.com/shore-leave.htm><img src=http://harrisschrank.com/wp-content/uploads/2009/06/hauperbookstore-500x688.jpg class=imgtfe hspace=5 align=left width=140 alt='hauperbookstore' title='hauperbookstore' border=0></a>Clement Haupers (1900-1982), Shore Leave, aquatint and etching, 1935, signed, titled, dated and inscribed &#8220;ed 75&#8243;. In excellent condition, printed in black on a heavy ivory wove paper with deckle edges all around, presumably printed in an edition of 75, archival matting. 10 1/2 x 8, the sheet 14 5/8 x 10 3/4 inches. A fine fresh impression, with the various aquatint tonalities contrasting vividly. Behind the sailor and the three attractive women is a piano, and a juke box and wall displaying the names of popular &#8217;30&#8242;s songs including &#8220;All of Me,&#8221; &#8220;Think of the Fun We Had,&#8221; &#8221;Fit as a Fiddle,&#8221; &#8220;And so to Bed,&#8221; and, appropriately for [...]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-medium wp-image-731" title="hauperbookstore" src="http://harrisschrank.com/wp-content/uploads/2009/06/hauperbookstore-500x688.jpg" alt="hauperbookstore" width="500" height="688" /></p>
<p style="text-align: left;">Clement Haupers (1900-1982), Shore Leave, aquatint and etching, 1935, signed,  titled, dated and inscribed &#8220;ed 75&#8243;. In excellent condition, printed in black on  a heavy ivory wove paper with deckle edges all around, presumably printed in an  edition of 75, archival matting. 10 1/2 x 8, the sheet 14 5/8 x 10 3/4  inches.</p>
<p style="text-align: left;">A fine fresh impression, with the various aquatint tonalities contrasting  vividly.</p>
<p style="text-align: left;">Behind the sailor and the three attractive women is a piano, and a juke box  and wall displaying the names of popular &#8217;30&#8242;s songs including &#8220;All of Me,&#8221;  &#8220;Think of the Fun We Had,&#8221; &#8221;Fit as a Fiddle,&#8221; &#8220;And so to Bed,&#8221; and,  appropriately for the Great Depression, the upbeat &#8220;I&#8217;ve Got Five Dollars.&#8221;</p>
<p style="text-align: left;">Haupers studied in Paris with the Cubist painter André Llote, who influenced  his style and perspective. Upon completing his studies in France, Haupers  returned to Minnesota where he became an influential teacher at the St. Paul  School of Art. He rose to prominence in 1935 &#8211; the year he made Shore Leave &#8211; as  the state and regional director of the New Deal’s Federal Art Project in  Minnesota, which hired unemployed artists to decorate public buildings and  parks. In 1981 Clement Bernard Haupers was the first recipient of the  &#8220;Minnesotan of the Year&#8221; award. He was born and died in the same house in St.  Paul.</p>
<div id="attachment_1891" class="wp-caption aligncenter" style="width: 710px"><img class="size-large wp-image-1891" title="DSCF5415" src="http://harrisschrank.com/wp-content/uploads/2009/06/DSCF5415-700x525.jpg" alt="DSCF5415" width="700" height="525" /><p class="wp-caption-text">Detail</p></div>
<p style="text-align: center;">
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