HARRIS SCHRANK FINE PRINTS

Francisco Goya (1746-1828) , Todos Caeran (All Will Fall), etching and burnished aquatint, 1799. Reference: Harris 54, Delteil 56.  Plate 19 from the First Edition (of 12); the first edition size was approximately 300.   The matrix in excellent condition, defects outside image (with the binding holes left, reinforced plate mark, repaired tears at bottom, right, top margin edges, fold top corner).The full sheet, 8 1/2 x 5 3/4, the sheet 11 3/4 x 8 inches.
A fine impression, printed in sepia ink on a fine quality, soft but strong laid paper. In this impression the fine grain aquatint contrasts vividly with [...]

Francisco Goya (1746-1828), Hilan Delgado, (They Spin Finely), etching, aquatint, drypoint and burin, 1799. References: Harris 79, Delteil 81. Plate 44 from Los Caprichos, First Edition (of 12), edition of approximately 300. In very good condition, with wide margins, 8 1/4 x 6, the sheet 11 5/8 x 8 inches.
A fine impression, printed in sepia ink, on a fine quality, soft but strong laid paper. The two layers of aquatint contrast effectively with the highlights on the spinner. The drypoint lines on the threads held by the spinner, and the gravure lines on her neck, can be seen clearly in [...]

Francisco Goya (1746-1828), Se Repulen (They Spruce Themselves Up), etching, burnished aquatint and burin, 1799. References: Harris 86, Delteil 88. Plate 51, Los Caprichos, First Edition (of 12), edition size was approximately 300. In very good condition, with wide margins. Printed on fine quality, soft but strong laid paper, 8 3/8 x 6, the sheet 12 x 8 inches.
A fine impression, printed in sepia ink, with the 2 layers of aquatint contrasting well between each other and the white sky. The burnishing on the figures and the cloud to the right creates an effective half-tone. (These subtleties are lost in [...]

Francisco de Goya Y Lucientes (1746-1828), La Tauromaquia,  the complete set of 33 etchings with aquatint, drypoint and engraving, 1814-16. First Edition, with the explanatory text page, impressions printed in sepia ink on laid paper, one with watermark SERRA, nine with watermark MORATO. References: Delteil 224-263, Harris 204-243, 247 x 353mm, the sheets approx. 298 x 411 mm. Published in Madrid by the artist, with wide margins, in very good condition, some plates with unobtrusive printing creases, with black cloth-covered binding with artist’s name in gilt.
Fine impressions of this great rarity.
Provenance:
M. [...]

Francisco Goya (1746-1828), Los Moros Hacen Otho Capeo en Plaza con Su Albornoz (The Moors made another pass at the bull with their cape). Etching, burnished aquatint and drypoint. 1815-1816. Plate 6 from Tauromaquia. Reference: Harris 209, Delteil 229. First Edition (of 7). In very good condition, on laid paper with full margins, 310 x 440 mm (exactly the sheet size specified by Harris of the First Edition), 9 1/4 x 13 7/8, the sheet 12 1/4 x 17 1/2 inches, archival mounting.
A fine clear impression, printed in sepia ink  As noted by Harris: [...]

Francisco Goya (1746-1828),  etching, lavis, burin and burnisher, 1810, Plate 20 from the Disasters of War. Harris 140 I/2 (of III/7). A working proof before letters and numbers [with signature and date lower left]. 6 1/8 x 9, the sheet 7 5/8 x 9 15/16 inches.
Provenance: Infante Don Sebastian de Borbon y Branganza; George Prevot  (This is the proof referred to in Harris as Lima Private Coll. (ex Provot). Sold by Prevot in Paris, April 10, 1935, Hotel Drouot, in the sale of Prevot’s Goya collection, catalog number 49. );Private Swiss Collection
An extraordinarily fine proof impression.
One first state impression is [...]

Francisco de Goya (1746-1828), Bien te se está – It serves you right, etching with aquatint with touches of burin; on laid paper, circa 1808-1814, Harris 126 I.3 (of III.7). 14.1 x 20.4 cm; the sheet 20.8 x 29.7
A working proof impression for plate 6 of Los Desastres de la Guerra , with the earlier number 26 in the lower left corner, but before the additional burin work in the two known I.4 working proofs (Paris Gil and the Cean Bermudez Album impressions).
Harris lists one impression of state I.1 (Berlin) and one of state I.2 (Boston). [...]

Francisco Goya (1746-1828), The Disasters of War, etchings and aquatint.
Made in the Workshop of Laurenciano Potenciano for the Real Academia; published in 1863. On heavy, absorbent wove paper, many sheets with the watermark JGO and a palmette. Reference: Harris 121-200, First Edition 1b, with letters as corrected, 247 x 340 mm, 9 1/2 x 13 1/4 inches, images approximately 5 1/2 x 8.
An extremely fine complete set in superb condition, with the dated title page and biographical introduction on paper with the El Arte en Espana watermark; in a gilt-lettered box, the binding threads carefully [...]

Francisco Goya (1746-1828), Dos a Uno, Meten La Paja en el Culo (If Two to One Stuff Your Arse with Straw), also titled Disparate Conocido (The Well-Known Folly), etching and burnished aquatint, c. 1816. Reference: Tomas Harris 266. A proof before letters, before the First Edition impressions made by Francois Lienard for L’Art, published in 1877. On a fine laid Japan paper, in very good condition, with margins, 9 3/4 x 13 1/2, the sheet 10 15/16 by 15 inches. Archival mounting (with mylar non-attached hinging, window mat.
Provenance: ex Collection: Tomas Harris, with his [...]