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	<title>HARRIS SCHRANK FINE PRINTS &#187; Felix Buhot</title>
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		<title>Les Grandes Chaumieres</title>
		<link>http://harrisschrank.com/les-grandes-chaumieres.htm</link>
		<comments>http://harrisschrank.com/les-grandes-chaumieres.htm#comments</comments>
		<pubDate>Wed, 24 Jun 2009 15:02:18 +0000</pubDate>
		<dc:creator>Harris  Schrank</dc:creator>
				<category><![CDATA[Felix Buhot]]></category>

		<guid isPermaLink="false">http://harrisschrank.com/?p=743</guid>
		<description><![CDATA[<a href=http://harrisschrank.com/les-grandes-chaumieres.htm><img src=http://harrisschrank.com/wp-content/uploads/2009/06/buhotchaumiers-700x470.jpg class=imgtfe hspace=5 align=left width=140 alt='buhotchaumiers' title='buhotchaumiers' border=0></a>
Felix Buhot (1847-1898) Les Grandes Chaumieres, 1881, etching and drypoint,  Bourcard/Goodfriend 150 (their fifth, and definitive, state of five, the plate  was then cancelled), with Buhot&#8217;s red owl stamp (Lugt 977). Good condition, with  margins (several nicks or tiny tears at outer margin edges, some spots in  margins), plate mark reinforced verso, conservation matted, 5 1/2 x 10 7/8 (full  sheet 7 1/2 x 12 1/4) inches.
A fine, atmospheric impression, with substantial burr from the drypoint work.
In this unique proof impression Buhot &#8211; one of the most inventive of  printmakers &#8211; treated the paper with [...]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-large wp-image-744" title="buhotchaumiers" src="http://harrisschrank.com/wp-content/uploads/2009/06/buhotchaumiers-700x470.jpg" alt="buhotchaumiers" width="700" height="470" /></p>
<p>Felix Buhot (1847-1898) Les Grandes Chaumieres, 1881, etching and drypoint,  Bourcard/Goodfriend 150 (their fifth, and definitive, state of five, the plate  was then cancelled), with Buhot&#8217;s red owl stamp (Lugt 977). Good condition, with  margins (several nicks or tiny tears at outer margin edges, some spots in  margins), plate mark reinforced verso, conservation matted, 5 1/2 x 10 7/8 (full  sheet 7 1/2 x 12 1/4) inches.</p>
<p>A fine, atmospheric impression, with substantial burr from the drypoint work.</p>
<p>In this unique proof impression Buhot &#8211; one of the most inventive of  printmakers &#8211; treated the paper with kerosene, gasoline or turpentine before  printing (papier essencee), creating a striking &#8220;orange&#8221; quality which has the  magical effect of bathing this farm scene in the subdued light of a sunset.</p>
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		<title>Westminster Bridge</title>
		<link>http://harrisschrank.com/westminster-bridge.htm</link>
		<comments>http://harrisschrank.com/westminster-bridge.htm#comments</comments>
		<pubDate>Wed, 24 Jun 2009 14:59:50 +0000</pubDate>
		<dc:creator>Harris  Schrank</dc:creator>
				<category><![CDATA[Felix Buhot]]></category>

		<guid isPermaLink="false">http://harrisschrank.com/?p=738</guid>
		<description><![CDATA[<a href=http://harrisschrank.com/westminster-bridge.htm><img src=http://harrisschrank.com/wp-content/uploads/2009/06/buhotwestminster1-700x534.jpg class=imgtfe hspace=5 align=left width=140 alt='buhotwestminster' title='buhotwestminster' border=0></a>Felix Buhot (1847-1898), Westminster Bridge, etching and drypoint, signed in  pencil and inscribed as first state by the artist (1re etat), first state (of  6)(Bourcard/Goodfriend 156). On Japan paper. In very good condition, some very  pale foxmarks, pale mat staining, with small margins, 11 5/8 x 15 3/4 inches,  the sheet 12 3/4 x 16 3/4 inches.
A very fine impression of this very rare early state (still without any  indication of the locomotive in the bottom left remarque, near the tunnel). In  this early impression, created before the plate started to show wear, the [...]]]></description>
			<content:encoded><![CDATA[<p>Felix Buhot (1847-1898), Westminster Bridge, etching and drypoint, signed in  pencil and inscribed as first state by the artist (1re etat), first state (of  6)(Bourcard/Goodfriend 156). On Japan paper. In very good condition, some very  pale foxmarks, pale mat staining, with small margins, 11 5/8 x 15 3/4 inches,  the sheet 12 3/4 x 16 3/4 inches.</p>
<p>A very fine impression of this very rare early state (still without any  indication of the locomotive in the bottom left remarque, near the tunnel). In  this early impression, created before the plate started to show wear, the  etching and drypoint lines are quite vivid and delicate.</p>
<p>Provenance: Sold to present owner at Christie&#8217;s New York Sale 11/20/89.</p>
<p><img class="aligncenter size-large wp-image-740" title="buhotwestminster" src="http://harrisschrank.com/wp-content/uploads/2009/06/buhotwestminster1-700x534.jpg" alt="buhotwestminster" width="700" height="534" /></p>
<p>Westminster Bridge is one of Buhot&#8217;s great masterpieces, created about 12  years after he began printmaking. No one (save, perhaps Degas) used such a range  of complex printing techniques as Buhot.</p>
<p>In this first state impression of Westminster Bridge one can see both the  finished design, and the beginnings of sketches &#8211; particularly in the remarques  outside of the central borderline &#8211; which were to become further defined in the  later states. For example, the outlines of the wooden staircase leading to the  Thames are evident at the right. At the top, buildings of Parliament along the  Thames are clear, as is the coupole of St. Paul&#8217;s; a ship is sketched in at the  left. In the main body of the work the carriages are drawn in a rich drypoint  with substantial burr, as are the buildings and Big Ben; several people walking  near the foreground are only sketched in lightly at this stage.</p>
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