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	<title>HARRIS SCHRANK FINE PRINTS &#187; Cecil Bell</title>
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	<description>We specialize in exceptional examples of fine printmaking – original etchings,  engravings, lithographs and woodcuts – from 1490 to 1940</description>
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		<title>At the Round House</title>
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		<pubDate>Wed, 02 Dec 2009 00:36:12 +0000</pubDate>
		<dc:creator>Harris Schrank</dc:creator>
				<category><![CDATA[Cecil Bell]]></category>

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		<description><![CDATA[<a href=http://harrisschrank.com/at-the-round-house.htm><img src=http://harrisschrank.com/wp-content/uploads/2009/12/DSCF6851-700x574.jpg class=imgtfe hspace=5 align=left width=140 alt='DSCF6851' title='DSCF6851' border=0></a>Cecil Bell (1906-1970), At the Round House, soft-ground etching and aquatint, c. 1935, signed in pencil lower right and titled lower left (also numbered 45), printed on a cream wove paper, the full sheet, in excellent condition, 5 3/4 x 7 5/8, the sheet 8 3/4 x 10 1/4 inches. A fine impression of this evocative image. Cecil Bell, born in Seattle in 1906, started his artistic career as a cartoonist. He moved to New York and enrolled in the Art Student&#8217;s League in 1930, where he had John Sloan as a teacher.  &#8220;I want principally to get down life [...]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-large wp-image-3235" title="DSCF6851" src="http://harrisschrank.com/wp-content/uploads/2009/12/DSCF6851-700x574.jpg" alt="DSCF6851" width="700" height="574" /></p>
<p style="text-align: left;">Cecil Bell (1906-1970), At the Round House, soft-ground etching and aquatint, c. 1935, signed in pencil lower right and titled lower left (also numbered 45), printed on a cream wove paper, the full sheet, in excellent condition, 5 3/4 x 7 5/8, the sheet 8 3/4 x 10 1/4 inches.</p>
<p style="text-align: left;">A fine impression of this evocative image.</p>
<p style="text-align: left;">Cecil Bell, born in Seattle in 1906, started his artistic career as a cartoonist. He moved to New York and enrolled in the Art Student&#8217;s League in 1930, where he had John Sloan as a teacher.  &#8220;I want principally to get down life as I see it and if it turns out to be Art,  so much the better,&#8221; he told an interviewer in 1939, in the spirit of his Ash  Can School mentor.<sup><span style="color: #fde000; font-size: x-small;"><em> </em></span></sup> Bell&#8217;s  Depression-era vignettes were informed by a creative sensibility that  acknowledged New York City as its life-giving force.</p>
<p style="text-align: left;">A roundhouse is a building used for servicing trains; it features a turntable. In this depiction we can observe a worker at the right, possibly re-refueling the engine; another works near the center foreground.</p>
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