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	<title>HARRIS SCHRANK FINE PRINTS &#187; John R. Barclay</title>
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	<link>http://harrisschrank.com</link>
	<description>We specialize in exceptional examples of fine printmaking – original etchings,  engravings, lithographs and woodcuts – from 1490 to 1940</description>
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		<title>The Proof</title>
		<link>http://harrisschrank.com/the-proof.htm</link>
		<comments>http://harrisschrank.com/the-proof.htm#comments</comments>
		<pubDate>Tue, 20 Oct 2009 23:51:19 +0000</pubDate>
		<dc:creator>Harris Schrank</dc:creator>
				<category><![CDATA[John R. Barclay]]></category>

		<guid isPermaLink="false">http://harrisschrank.com/?p=2922</guid>
		<description><![CDATA[<a href=http://harrisschrank.com/the-proof.htm><img src=http://harrisschrank.com/wp-content/uploads/2009/10/DSCF6680.jpg class=imgtfe hspace=5 align=left width=140 alt='DSCF6680' title='DSCF6680' border=0></a>John R. Barclay (1884-1962), The Proof, drypoint, c. 1920, signed in pencil lower left and numbered (no. 9) lower right 9also with the stamp number 3551 . In very good condition, on a laid paper (with the partial watermark Gelder), with margins, 7 7/8 x 7 7/8, the sheet 14 3/8 x 9 7/8 inches, archival matting. A fine impression of this rarely encountered image, printed in a dark brownish/black ink with substantial drypoint burr, and with a subtle layering of plate tone at the right and bottom of the composition, the left area and the face of the man [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left;"><img class="aligncenter size-full wp-image-2923" title="DSCF6680" src="http://harrisschrank.com/wp-content/uploads/2009/10/DSCF6680.jpg" alt="DSCF6680" width="579" height="596" /></p>
<p style="text-align: left;">
<p style="text-align: left;">John R. Barclay (1884-1962), The Proof, drypoint, c. 1920, signed in pencil lower left and numbered (no. 9) lower right 9also with the stamp number 3551 . In very good condition, on a laid paper (with the partial watermark Gelder), with margins, 7 7/8 x 7 7/8, the sheet 14 3/8 x 9 7/8 inches, archival matting.</p>
<p style="text-align: left;">A fine impression of this rarely encountered image, printed in a dark brownish/black ink with substantial drypoint burr, and with a subtle layering of plate tone at the right and bottom of the composition, the left area and the face of the man wiped more thoroughly.</p>
<p style="text-align: left;">Barclay was a member of the Edinburgh Group, a group of Scottish painters who exhibited together in 1912 and 1913, and then after the war in 1919, 1920 and 1921. Other members of the group included Eric Robertson (1887-1941), William Oliphant Hutchison (1889-1970), and Mary Newbery (1892-1985).</p>
<p style="text-align: left;">This impressionistic composition of a man holding an etching proof  may be a self portrait of the artist, and the print itself bears evidence of its being a working proof, i.e., it is printed toward the top of the sheet, and has a number of faint fingerprints or ink marks at the edges of the sheet.</p>
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